Tag Archives: Manchester

Live Review – Brian Fallon at O2 Ritz Manchester 21/02/18

It’s been an exciting month for the fans of Brian Fallon with the release of his remarkable new solo record Sleepwalkers and the anticipation to hear these songs performed live for the first time on his upcoming UK tour only grew stronger. Seeing all the fantastic responses from the first two shows at Kingston and Birmingham, I was buzzing as I jumped on a train to Manchester early Wednesday morning, ready to see Fallon doing his thing in one of my favourite music cities. I have seen the man perform on many occasions with The Gaslight Anthem as well as The Horrible Crowes, but what happened at The Ritz on Wednesday night was certainly one of the most memorable shows Brian has put on.

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Ones To Watch / Turrentine Jones Interview

Manchester is well known for producing great bands and Turrentine Jones fit exactly into the category of ‘the greats’. Founded in 2010 by an Aussie-born Julian Neville (guitar, vocals) and later joined by Thomas Scotson (organ) and Rich Watts (drums), the band started to create their own stamp in today’s music by taking influences from the 50’s and 60’s rock and blues.

Turrentine Jones come with a big, fresh and captivating sound that’s been getting a well deserved recognition not only in the UK but also in Australia. They also picked up Best Blues Act and Best Male Act at the Exposure Music Awards in London in October last year.Recently, the band signed a publishing deal with Rough Trade Records, so there are surely exciting things written in the stars for this trio.

Get to know Turrentine Jones in our interview below, where the guys talk the beginning of the band, their sound, latest single plus how they all got into music etc.

Can you take us to the beginning of the band? When and how did Turrentine Jones form?

Turrentine Jones was founded by Julian Neville in 2010. Neville first arrived in England in late 2008 from Australia and went in search of players to join him, spending late nights at clubs around Manchester. An encounter with the uncle of previous drummer Chris Carcamo at a Chilean restaurant, Neville was introduced and they both began rehearsing a book of songs Neville had already written. Fast forward a while, and with the addition of Thomas Scotson, Turrentine Jones played their first show at the London Tavern in Kilburn on July 9 2010.

Tell us more about the genre you do and what do you think makes your sound unique?

There’s nothing to hide behind with our music. There are many spaces to fill when you don’t carry a bass player, a second rhythm guitarist, whatever. Each of us has that extra responsibility. At the beginning people were surprised we could hold such a big sound when we perform… these days people take a few steps back before we’ve even started playing. They know what’s coming. Having a Hammond organ sets us apart from everybody sure, it straight away puts you in that ‘classic’ or ‘vintage’ scene, but we’re bringing something fresh and so far people are digging it.

Your latest single ‘Della May’ was released last month. Is there a special story or meaning behind this track and the B side ‘Electric Angel’?

Della May is a song Julian wrote about innocence, being young and free. “We could close our eyes, and watch the sun turn blue” – we’d stare up at the Australian sun for a second and then close our eyes and you could still see it, only it was a different colour.. little things you did as a kid, you know?Electric Angel was a reoccurring dream Neville kept having. He felt a presence in his room while he was sleeping. He’d dream that he’d wake up, see this woman in the corner of the room. She would approach him and start screaming, start flying through the walls like electricity, and then return.  He’d wake up with his hands behind his head, his toes crossed. This same dream happened several times. Yeah… take what you want from that!

You gained quite a success in Australia with your first official release ‘Le Debut’. Could you tell us more about how it happened?

How it happened? Who knows!? We went in the studio and spent a week cutting tracks. We shot a music video with all our friends and their friends and put it together. Once it was released the video was the tool that sold it for us. I guess people want to tell their friends they’re in a video? Word got around. Once it reached the top 10 on the iTunes blues charts we then started seeing it in Finland, Ireland, Germany. You can’t plan these things.

Where do you usually gather song writing inspiration and how do you work as a band?

Neville is the songwriter. All the songs are stories or experiences of his. When he comes into the studio he puts down the music and ideas and we all start slowly working our way through the song, arranging it as we go. We’ll perform a song several times, come back into the studio and change it, perform it again… all of this before we’re happy with it. Songs take time to evolve.

Who are your musical and non-musical influences?

Joe Tex, Booker T & The MG’s, The Animals, The Doors, The Mar-Keys, Rufus Thomas, lots of soul and early rock and roll. One of the greatest singers is Etta James.. ‘Don’t Cry Baby’. You know? Amazing. You see her played by Beyonce in a film about Chess Records.. shows you what’s so wrong with the music industry today. Non-musical? We’d all have different influences here.

Do you remember that one defining moment when you realised you wanted to play music?

Julian: For me, it was one evening watching a live programme on ABC (Australian Broadcasting Corporation) where Silverchair were performing. Daniel Johns had his long, blonde hair at the time. I can’t remember what they were playing but watching him in front of a crowd. I was 6-7 years old. My mother gave me an acoustic classical guitar with nylon strings for my following birthday and I began learning. This was the early 90’s so grunge had arrived. It was a great time to make noise.

Thomas: Around the 90’s, when it was acceptable in society to make your own shorts out of your denim jeans, grow mullets and eat with your mouth open. Not sure how it happened but I realised that I could play bits of melodies with instruments I had available to me. There were plenty of song books lying around the house, which I picked up and soon figured out how to read music. I was so excited about playing music that I’d run home from school to pick up a mouth organ, a mandolin or to have a go on the baby grand.”

Rich: British invasion. Watching mod bands chew it up on TV and scaring the life out of the patrons in the audience.

If you had to choose a motivation quote or a line to live by, what would it be?

“No amount of skillful invention can ever replace the essential element of imagination.” – Edward Hopper

Could you describe your live show, visually and musically?

Electric. Loud. Lots of movement on stage. Highs and lows. We talk to each other while playing. Never do we play one song the same. Each show is different. Each set. It all comes down to the way we feed off the crowd. Sound cliché ? It’s the truth. The bigger the crowd the more we feel it. Getting the crowd involved is always a trait of ours.

Do you have any shows coming up or working on some new releases?

London at the legendary Water Rats. Tickets are selling now for that and we can’t wait. There’s lots of shows. Check our website for details www.turrentinejones.co.uk/live.We’re working on our debut record this year, we’re hoping to release it towards the end of the year.

What’s the main ambition for Turrentine Jones?

Good question. It’s not fame. Can anyone really have that as an ambition? We’d like to see our music, our name at the forefront of a new wave of music. Music that is real, soulful and not contrived, mass produced. We’re seeing a revolt now. Paul Weller says he’s starting to listen to new music again, The Strypes are getting in people’s faces with their take on rock and roll. It’s all coming back again and we want to be a part of that. There’s so many bands out there we’re listening to and we’ve played with. Good music deserves to be heard, not controlled by big industries with a handful of cash… but hey, that’s the business we’re in right? Beggars and thieves, jokers and wannabees. Difference is now, people are getting together tired of hearing what’s on the radio. You can only play what the people want to hear! Hopefully now, this time, the cream rises to the top.

Links – iTunesWebsite, Facebook, Twitter

EP Feature / Soul Saboteur – Clip Your Wings

Soul Saboteur - Clip Your WingsSoul Saboteur are an alt-blues-rock band based in Manchester, who formed in November last year and have already managed to record an outstanding EP featuring four powerful tracks. Clip Your Wings is a strong and ambitious piece of a musical art, filled with effective melodies and the wowing vocals of James Stone, who’s excellent lyric writing adds to the special atmosphere, which this engaging music provides.

The title track Clip Your Wings sets the bar high with it’s bluesy guitar melody and the ‘Eddie Vedder like’ howls from singer James. The second track Medicinal Venom comes with a mind blowing vocal intro and straight away becomes your favourite. You realise that this band has created something very special here. Next song Dark After Dark impresses with its lyrics “I would have given my right arm for you, just to have held the hand that hung from it. Now more hangs from my neck than this bow tie…” and you feel the deep emotion running through this record from start to finish as Stranded (in the devils council) closes up with its intense and colorful blues vibes.

Listen to the whole EP here!

Links – iTunesWebsite, Facebook, Twitter

Friends, Lovers, Rivals – Say Hello to Mutineers

Yes. Say hello to Nicholas James Mallins (vocals/guitar), Michael Reed (guitar), Iwan Gronow (bass) and Jack Mitchell, (drums) = Mutineers / my top twitter discovery of the week.

You get many interesting followers on twitter. But when it’s a band, and the band is from Manchester, you surely gotta check that out, right?

And that’s how I came across Mutineers. Thank God. Otherwise I would not be writing this. Obviously.

Their debut album Friends, Lovers, Rivals came out in October 2010. That makes me feel like I’ve been living under a rock. But, it’s never too late for finding a great music!

First, I listened to a preview of the album on itunes and I liked the sound of it… so I went straight on youtube.

It took only a couple of songs for me to get straight back to itunes and download the whole album. I was hooked.

How come I haven’t heard about these guys before? They seem to have a great fan base already and amazingly they communicate with them on daily basis through social networks.

Not only they seem like a great bunch of guys, most importantly, Mutineers are fine musicians.

Their album is so good. Stuff like this should be played on radio on daily basis. Then maybe even I would listen to it more often. People need to hear bands like this!

Their background includes playing in a different groups like Cardinals and Johnny Marr’s Healers. Yes. THAT Johnny Marr.

They also supported musicians like Pete Doherty, The View and Wintersleep in the past!

Friends, Lovers, Rivals album has 11 tracks with a engaging, catchy guitar sounds complimented by the stunning vocal from Nicholas James Mallins, not to mention his amazing ability of poetic lyric writing.

Have a listen…

If you’d like to know more about this band, check out their interesting bio at Tri-Tone/Mutineers, follow them on twitter – @Mutineers_ or on facebook – @Mutineers.

And of course here is a link to their debut album – Itunes!

Mutineers are a band worth checking out if you want to hear something that speaks to you melodically and lyrically.

Manchester surely has a lot of hidden talents.

I wish these guys well and I hope they will come out with some new stuff soon and maybe do some shows around UK!