Blues rock devils Dirty Thrills live up to their name without a doubt. Staggering guitars, solid drum beats and vocals made for a pure rock’n’roll are the main selling points of the London based four-piece. If you like your rock raw, sexy and exciting, then look no further as Dirty Thrills tick all the right boxes. The guys are set to release their self titled debut through Pledge Music and I caught up with them to find out about the recording, pledging, their favourite music growing up and so on.
North London based four-piece Knights come with a fine dose of energy, passion and highly impressive pile of genuine rock sound. The band have been taking the Camden music scene by storm and building a strong fan base on the way. They’re about to release their self titled EP, produced by Tristan Ivemy, and celebrate its release with a launch party at Barfly in London on 12th November. The record, available to stream on the band’s soundcloud page, dominates in powerful melodies, fierce riffs and excellent vocals all the way through. The five tracks will take you on an amazing musical journey created by who’s to become your new favourite band. There is a strong potential of Knights becoming the next big thing on the UK’s music scene.
Digs (vocals, guitar), Jesse (drums), Oli (guitar) and Tom (bass) introduce their sound in our following interview and talk about the EP, influences, dream tour, soundtrack of their lives and more.
Could you tell us the story of how you all met and formed Knights?
JESSE: Digs and I started as a two-piece. We met through his girlfriend, and started playing, after a few gigs we wanted to develop our sound. After some auditioning and a few more gigs, it just seemed right with Oli and Tom, the energy, the banter and the ability. We gelled straight away.
How would you introduce your sound to MGMB’s readers?
DIGS: It’s essentially rock music but I think we’re all influenced by different things. I listen to a lot of metal and heavier stuff, and Jesse loves his crazy time signature stuff. I guess we sound like an English Foo Fighters, that sort of thing.
TOM: When I think of our default setting, it’s like strong energetic beats with pounding bass lines and chuggy guitar riffs, but having said that, we are not afraid to show our emotional sides either.
You’re about to release debut EP. How would you describe this record and what was it like to work with producer Tristan Ivemy, who’s worked with artists such as Frank Turner?
TOM: We’re all really proud of the record. We feel like all the tracks work well together – it’s a good representation of where we are as a band right now, but having said that, we would love to show everyone the rest of the deal!
OLI: Tristan is great to work with. He really knows how to capture our sound. It’s the first time working with a producer that has been so much on the same page as us.
JESSE: Tristan helped us to make the songs as good as they can be. He just unlocks our full potential. He never stops banging on about Portsmouth football club though…..
DIGS: He’s a great guy, and really patient with us. To know his background and who he’s worked with, it’s really a privilege to record with him.
Could you tell us a bit about each of the songs on the EP?
TOM: ‘Sidonie’ was written slightly differently to the rest of our songs. Usually, Digs will write a loose structure with a chord rotation and a melody and then we write our parts around that. With ‘Sidonie, Jesse wanted to write something in a 5/4 time signature, so we started with the drum beat and then wrote everything around that. It’s a bit hard to get your head around at first, but when it drops back into the second verse it’s like, yes, I get it now.
DIGS: ‘Let it all out’ has a lot of different parts to it, so it was probably the one that took the most effort to write, butI feel like we were rewarded with a great track. It’s got a lot of energy, and a big chorus, and you weave in and out of the different sections, like a roller coaster.
OLI: ‘Come back in’ was one of the first songs I had a role in writing, so it’s always going to be a bit special for me. It’s one of our more upbeat songs but it still rocks. The ending on that song is insane, when Digs’ vocals step up, and we all go to half time, its a fun one to play.
TOM: ‘The fear, the sweat’ shows our dirty side! Its got a slow, heavy, pounding sound that just makes you feel filthy. You can jump to it, grind to it, strut to it, just get your groove on!!
DIGS: ‘Middle of nowhere’ is very much light and shade. The verses are sparse and melodic and then it steps up into this noisy, furious, relentless chorus. Its about depression, and I think we can all relate to it, like ‘I try again to climb the overhang’, and trying to get back towards the light.
Take us through the usual band practice. How do you normally work on the songs?
JESSE: We usually take ages to set up and then rip on each other a bit and mess about, get all that out of the system and then we’re ready to play.
OLI: We go through our live set a few times to make sure everything is as tight and ready as possible. Then spend a bit of time developing new ideas that we might have or jamming at the end.
Are there any particular bands or artists who influenced you to start playing music?
DIGS: I guess my first loves were Nirvana, and Pixies. I liked all the heavy stuff like System Of A Down, they really got me going, cos of the contrast between beautiful soaring vocal melodies and harmonies, against rocky guitar riffs. When I started writing, it was a lot heavier than it is now. Biffy’s ‘Blackened Sky’ made me go and buy my first guitar.
TOM: Blink 182 were the first band i really got into, so i suppose they’re what started it all for me. I went through a big AC/DC phase and i suppose Kings of Leon and Arctic Monkeys are also important bands on my musical journey.
Why should people come and see you live? What are your main strengths while on stage?
TOM: I think we just all really feel it. For half an hour we’re going to put everything into trying to entertain you. We are going to put ourselves out there and if you like it then you can put yourself out there too. It’s a chance for everyone to let go and do what they feel like for half an hour.
DIGS: We’re up there to have a good time and try and get the people moving. Jess is great to watch because of his enthusiasm and crazy drumming faces! Those poor drums, they take a real beating.
What would your dream tour look like and which bands would you want to be joined by?
TOM: My main ambitions at the moment are threefold: 1. Be a guest on soccer AM. 2. Go on Jools Holland. 3. Play at the Koko in Camden. As long as they are stops on the tour then anything else is a bonus. I’d like to hang out with Alex Turner and Josh Homme. I know they’re buddies now and I just want to see what they’re like together.
DIGS: When we started out, I think we all have agreed on supporting Kings of Leon. But now I think we all idolise Biffy Clyro, so to play with them would be amazing.
If someone was to make a movie about your life, what would the soundtrack be like?
TOM: Hahahaha that’s tough. Can we have our music or is that a bit self righteous??? Maybe like a big orchestral score but with loads of electronic sound effects. Like a Star Wars opera. Someone should do that. Star Wars: the opera.
DIGS: I love the soundtrack to ‘Eternal Sunshine of the Spotless Mind’. That mixed with ‘Lock Stock’ would be great. Definitely some Ocean Colour Scene on there!
Do you have any special plans beyond the release of your EP?
DIGS: World domination hopefully. Like Pinky and the brain.
JESSE: There are a few things in the pipeline but nothing concrete yet. New Years Eve at the Barfly, UK tour, Great Escape festival, Hoxton Bar and Grill in January. We are really just working towards building our fan base and getting a strong team of people around us.
The Diamond Noise return with a new EP extraordinaire named Do You Like Me Too?
The 5-track record is a step forward for the London based outfit, confirming the band’s expertism in producing a genuine rock and roll. The blasting guitars and majestic vocals collide together flawlessly within the exciting melodies and create a perfectly structured ‘diamond noise’.
Each song on the EP is a faultless musical piece and takes the listener for a superb ride. It’s loud, powerful and sexy as…
The first track Are You Ready? is a perfect opener and certainly gets you ready to rock with its blazing energy. Catastrophic blinds you with its storming guitars and drum beats and you’ll find yourself diving in the supreme sound. The title track Do You Like Me Too? (watch video below) stands out as a captivating and ambitious tune, and places the band into the category of rock and roll masterminds.
Hardly less impressive Higher Than (An Aeroplane) only adds to the record’s excellency and the fantastic Blue Champagne closes the EP with a marvelous effect on your music soul.
Do You Like Me Too? is a clear proof that rock and roll is still alive, running strong and with bands like The Diamond Noise around, it sure as hell won’t be vanishing any time soon.
MGMB have interviewed TDN a while back and you can check it out right here.